King Lear | Cumston Hall Dates October 12-14 Tour Dates October 8-28 |
By William Shakespeare
Directed by Michael Dix Thomas
Two aging fathers, one a King, one his courtier, reject the children who truly love them. Their blindness unleashes a tempest of pitiless ambition—plunging king and kingdom into a hell of treachery, madness, and violence. Tender, chaotic, moving, and shocking, King Lear reveals the worst and best in human nature.
Cumston Hall Schedule |
Friday, October 12, 7:30 p.m. |
Saturday, October 13, 1:00 p.m., 7:30 p.m. |
Sunday, October 14, 1:00 p.m. |
Michael Dix Thomas Director |
Meg Anderson Set Designer |
Elizabeth Rocha Costume Designer |
Jim Alexander Technical Director/Lighting Designer |
Katie Moshier Stage Manager |
Cast
Wendy Way |
Kate Manfre |
Jelani Pitcher |
James Noel Hoban Albany/ Gloucester |
Paul Haley |
Heather Irish Regan |
Ardarius Blakely Edmund |
Chloe Bell Cordelia/ Fool |
Theater at Monmouth’s production is part of Shakespeare in American Communities, a program of the National Endowment for the Arts in partnership with Arts Midwest.
Michael Dix Thomas, director, describes Shakespeare’s King Lear as “epic, angsty, and exciting. In many ways it mirrors the delight we take from popular fantasy series like Game of Thrones and The Lord of the Rings. At the core, the story is a family drama with national implications of the largest scope. But like these fantasy series the excitement and drama come from the imaginative worlds, the high stakes adventures, the deliciously evil villains, and the self-sacrificing heroes.” The setting will be deliberately non-historically ancient, drawing on Shakespeare’s own anachronisms and echoing the fantasy style of Game of Thrones, and The Lord of the Rings. The world is ancient and earthy, suggesting a harsher and older society than our own. The use of a fantasy framework allows for a heightened universe for the play that is dangerous and foreign, but decidedly human and relatable. This opens up the depths of cruelty that exist side-by-side with the heights of altruism.
For many, Lear is a play about age and the loss of status, faculties, and the pride that accompanies the final stage of human life (apropos in Maine, the state with the highest median age). But King Lear is also a play about the next or new generation. This younger generation in Lear are forced to carve out their own place in the world in the face of irresponsible leadership. The production will be cast with a specific attention to appropriate age to tell that story so as to highlight the generational divide.
The play explores the extremes of human brutality as the Machiavellian villains claw their way up. Ultimately pure-hearted heroes overcome the villains and regain control of the country. Their victory, however, is not without cost, and they must confront the ultimate Shakespearian questions: How should we act? What must we do? What makes us human? Through a fantastic lens, King Lear demands that we consider our role in a changing society, and that we confront the questions of how we must act when our time comes. For a young audience on the cusp of accepting this responsibility in an ever-more divided world–this play provides ample opportunities for students to examine their own humanity and how they will contribute to a new world order in their lifetimes.